“The Moment I Set Foot Outside My House, Caste Chases After Me Like a Dog”
| | | |

“The Moment I Set Foot Outside My House, Caste Chases After Me Like a Dog”

Sukirtharani (b. 1973) is a poet and social activist known for her sharp critique of the caste system and the oppression of women. Last month, the Oversight Committee of the Delhi University removed two of Sukirtharani’s poems from the English Honours syllabus.

India’s Dalit Artists are Shaking the Age-Old System of Caste Oppression
| | | | | | |

India’s Dalit Artists are Shaking the Age-Old System of Caste Oppression

A new wave of Dalit artists, musicians and writers is catalyzing the movement for equality by popularizing the struggles of their communities and raising the consciousness of Indian society.

Modi Govt’s Renovation of Jallianwala Bagh an ‘Insult’ to Martyrs; Martyrs’ Descendants Protest – Two Articles
| | |

Modi Govt’s Renovation of Jallianwala Bagh an ‘Insult’ to Martyrs; Martyrs’ Descendants Protest – Two Articles

Instead of a sombre memorial for those who lost their lives in the gruesome violence, historians and activists argue that the government has turned the memorial into a flashy site, and criticise it as an “insult” to the martyrs and a bid at erasing history and heritage. Also: Jallianwala Bagh Revamp: Martyrs’ Descendants Say They’ll Boycott Functions in Protest.

Neo-liberalism and Nationhood
| | | | |

Neo-liberalism and Nationhood

There are crucial differences between the anti-colonial nationalism of the third world countries and European bourgeois nationalism. That is why the third world countries adopted a dirigeste capitalist development strategy, that insulated peasant agriculture from domestic and foreign capitalists. Neoliberalism is undermining this.

Remembrance Must be an Act Affirming Man’s Humanity, Three Haunting Partition Classics Tell Us
| | | | | | | |

Remembrance Must be an Act Affirming Man’s Humanity, Three Haunting Partition Classics Tell Us

Though unlike one another in tone and texture, ‘Adaab’, ‘Toba Tek Singh’ and ‘Garm Hawa’ have the same point of departure: that religion as the primary marker of identity is as irrational as it is abhorrent.